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Relicensing React, Jest, Flow, and Immutable.js

React 16 will be licensed under the MIT Open Source license.
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Hamburg, Germany
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Color, psychology and design

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Is product design only about how humans interacts with it?

Color is a beautiful thing that creates different emotions in humans. We see things and differentiate similar objects with the use of color. We feel colors as an object that creates different emotions when seen. Colors produced in the visual system of the human brain. In real life, the colors do not exist. We create colors using our brains, which means colors stay subjective in nature and, not objective.

In design, the color act as a key function that grabs the attention of the user. Color is the easiest aspect to remember when come to encountering new things for the users.The colors of the design always make connection with branding of the product. The product designers use color as a way to communicate what the product is about. Most of the time user’s purchase ideas largely depends on color. There are some facts that quite important when come to color psychology.

Fact 01 : Color preferences go along with the gender difference

As for the findings by Joe Hallock, it says that there is a significant difference between the preference between genders when coming to color selection. The study was done for most favorable and least favorable colors and there was a significant favor for the blue color of both men and women and the orange color was the most disliked color by both men and women. In this study, it was found that men preferred Bold colors and women preferred soft colors.

Most liked colors by men and women
Most disliked colors by men and women

These details of findings make you understand when coming to product design why designers tend to use the blue color as much as they can in their applications and use less orange color. But it is always good to use colors that would not give support just to the likability of the users but improve the quality and the behavior of the users.

Fact 02 : The use of color depends on product or service

When coming to application design most of the people look into color before making the purchase. For an example, G-shock wrist watches are really famous for their hard use and the durability. When the users go to the G-shock website they feel that exact feeling of trust towards what the wristwatch stands out to be.

G-shock website

The color brings up the personality of a user when come to use the applications. Here you can see that G-shock is using bold colors that would easily grab the attention of the people who like to ware cool things instead of being extremely professional.

Fact 03 : Color makes the product recognizable

The product design is not just about being understandable but also discoverable. Our brains always like to focus on brands that are immediately recognizable. In order to create the product look engaging and recognizable, you have to use the colors properly that align with your business ideas, personality, emotion and differs from your competitors. Many studies have shown that color is a key fact when come to deal with direct competitors. The use of color is really common in the food and restaurant industry. where designers use the appearance of the product heavily based on unique colors. If we take Mcdonalds, KFC, Starbucks and other famous dine in places who have a number of branches oversees focus heavily on their unique colors and designs.

How KFC used colors in the application
How mcdonalds used colors in the application
How starbucks used colors in the application

Important thing is to understand and focus on the customer reaction towards the colors rather than focusing the colors itself. Your color should achieve the goal of what you are trying to give to the customers.

How colors impact the design?

There are many articles that you may able to find how the colors impact on design. In my study, i have found following examples to show how the color physiology has impacted the design.


Blue is one of the most commonly used colors when coming to product design. The blue color is considered to give emotions such as trust, safe and relaxation.

Blue has different color shades into it that create a different set of emotions with it. The light blue color creates the emotions such as calm and makes the user feels refreshed. The blue color is also associated with happiness. Normally the clear blue sky gives that feeling of happiness and friendliness towards the user. By using the fact of being friendliness the trust is created towards the user.


The pink color is a color which is related to candy and sugary items. Most of the time it is called a “Girl’s color” by many people. The color pink is not as feminine as you think. It is a color of playfulness and Joy.


Black is one of the most desired colors in the spectrum. The black color represents power and formality. The black color is considered to be the strongest color of the spectrum. Black fonts have been there from the black and white age until the electronic age due to its ability to create a proper emotion of power over other colors.

People often use the word “Everything is cool with black” since it bring power with the color.


Red is a color that gives us the sense of importance and notifies to us about a danger as well. Red color often associates in design in places where the user should pay special attention. For example, in traffic lights, we show the color red as an indication to stop crossing or to stop the vehicle moving forward. At the same time, the color red is taken as a symbol of love and passion. But most of the time red is used in places where the user needs immediate attention.


Green color for obvious reasons, humans find it a color that is connected to the environment, trees and plants. Most of the time organizations that sell organic food and beverages use the green color to their application. Since this color is so natural to our eyes it grabs attention when properly used.

We always consider color has everything to do with the branding but not with the application user’s emotion. But we can clearly understand that we can use colors to trigger different emotions and use this to help gain the upper hand in direct competition as well. The knowledge in color psychology to understand the misconceptions regarding colors such as

  1. There are ugly colors and there are beautiful colors
  2. Colors Are Naturally Organised Along a Color Circle
  3. Humans See Color
  4. Color Preferences are Strictly Personal

It also helps the designers to understand that there is no universal color that is called the best color to be used in the design. We should always focus on who we are designing for and get their ideas and feedback in the early stage of the design process to create a design that is more supportive to give a better user experience.

Color, psychology and design was originally published in UX Planet on Medium, where people are continuing the conversation by highlighting and responding to this story.

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4 days ago
Hamburg, Germany
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The State of the Web

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A guide to impactful performance improvements

The Internet is growing exponentially, and so is the Web platform we create. Often though we fail to reflect on the greater picture of connectivity and contexts the audience of our work might find themselves in. Even a short glance at the state of the World Wide Web shows that we haven’t been building with empathy, situation variability awareness, let alone performance in mind.

So, what is the state of the Web today?

Only 46% of 7.4 billion people on this planet have access to the Internet. The average network speed caps at unimpressive 7Mb/s. More importantly, 93% of Internet users are going online through mobile devices — it becomes inexcusable to not cater to handhelds. Often data is more expensive than we’d assume — it could take anywhere from an hour to 13 hours to purchase 500MB packet (Germany versus Brazil; for more intriguing stats on connectivity head to Ben Schwarz’s Beyond the Bubble: The Real World Performance).

Our websites aren’t in a perfect shape either — the average site is the size of original Doom game (approx. 3 MB) (please note that for statistical accuracy medians should be used, read Ilya Grigorik’s excellent The “Average Page” is a myth. Median site size is currently at 1.4MB). Images can easily account for 1.7 MB of bandwidth and JavaScript averages at 400KB. This isn’t a problem specific to the Web platform only. Native applications aren’t better; remember that time you had to download 200 MB to get unspecified bug fixes?

As technologists often we find ourselves in the position of privilege. With up-to-date, high-end laptops, phones and fast cable Internet connection, it becomes all too easy to forget this isn’t the case for everyone (actually, it’s true for very few).

If we’re building the web platform from the standpoint of privilege and lack of empathy, it results in exclusionary, subpar experiences.

How can we do better by designing and developing with performance in mind?

Optimising all assets

One of the most powerful, but under-utilised ways to significantly improve performance starts with understanding how the browser analyses and serves assets. It turns out that browsers are pretty great at discovering resources while parsing and determining their priority on the fly. Here’s where the critical request comes in.

A request is critical if it contains assets that are necessary to render the content within the users’ viewport.

For most sites, it’d be HTML, necessary CSS, a logo, a web font and maybe an image. It turns out that in many cases, dozens of other, irrelevant at the time assets are requested instead (JavaScript, tracking codes, ads, etc.). Luckily, we’re able to control this behaviour by carefully picking crucial resources and adjusting their priority.

With <link rel='preload'> we’re able to manually force assets’ priority to High ensuring that desired content will be rendered on time. This technique can yield significant improvements in Time to Interactive metric, making optimal user experience possible.

Critical requests still seem like a black box for many, and the lack of shareable materials doesn’t help to change that. Fortunately, Ben Schwarz published an incredibly comprehensive and approachable article on the subject — The Critical Request. Additionally, check Addy’s Preload, Prefetch and Priorities in Chrome.

Enabling Priorities in Chrome Developer Tools

🛠 To track how well you’re doing on prioritising requests use Lighthouse performance tool and Critical Request Chains audit or check the Request Priority under Network tab in Chrome Developer Tools.

📝 General performance checklist

  1. Cache aggressively
  2. Enable compression
  3. Prioritise critical assets
  4. Use content delivery networks

Optimising images

Images often account for most of a web page’s transferred payload, which is why imagery optimisation can yield the biggest performance improvements. There are many existing strategies and tools to aid us in removing extra bytes, but the first question to ask is: “Is this image essential to convey the message and effect I’m after?”. If it’s possible to eliminate it, not only we’re saving bandwidth, but also requests.

In some cases, similar results can be achieved with different technologies. CSS has a range of properties for art direction, such as shadows, gradients, animations or shapes allowing us to swap assets for appropriately styled DOM elements.

Choosing the right format

If it’s not possible to remove an asset, it’s important to determine what format will be appropriate. The initial choice falls between vector and raster graphics:

  • Vector: resolution independent, usually significantly smaller in size. Perfect for logos, iconography and simple assets comprising of basic shapes (lines, polygons, circles and points).
  • Raster: offers much more detailed results. Ideal for photographs.

After making this decision, there are a fair bit of formats to choose from: JPEG, GIF, PNG–8, PNG–24, or newest formats such as WEBP or JPEG-XR. With such an abundance of options, how do we ensure we’re picking the right one? Here’s a basic way of finding the best format to go with:

  • JPEG: imagery with many colours (e.g. photos)
  • PNG–8: imagery with a few colours
  • PNG–24: imagery with partial transparency
  • GIF: animated imagery

Photoshop can optimise each of these on export through various settings such as decreasing quality, reducing noise or number of colours. Ensure that designers are aware of performance practices and can prepare the right type of asset with the right optimisation presets. If you’d like to know more how to develop images, head to Lara Hogan’s invaluable Designing for Performance.

Experimenting with new formats

There are a few newer players in the spectrum of image formats, namely WebP, JPEG 2000 and JPEG-XR. All of them are developed by browser vendors: WebP by Google, JPEG 2000 by Apple and JPEG-XR by Microsoft.

WebP is easily the most popular contender, supporting both lossless and lossy compression, which makes it incredibly versatile. Lossless WebP is 26% smaller than PNGs and 25–34% smaller than JPGs. With 74% browser support it can safely be used with fallback, introducing up to 1/3 savings in transferred bytes. JPGs and PNGs can be converted to WebP in Photoshop and other image processing apps as well as through command line interfaces (brew install webp).

If you’d like to explore (minor) visual differences between these formats I recommend this nifty demo on Github.

Optimising with tools and algorithms

Even using incredibly efficient image formats doesn’t warrant skipping post-processing optimisation. This step is crucial.

If you’ve chosen SVGs, which are usually relatively small in size, they too have to be compressed. SVGO is a command line tool that can swiftly optimise SVGs through stripping unnecessary metadata. Alternatively, use SVGOMG by Jake Archibald if you prefer a web interface or are limited by your operating system. Because SVG is an XML-based format, it can also be subject to GZIP compression on the server side.

ImageOptim is an excellent choice for most of the other image types. Comprising of pngcrush, pngquant, MozJPEG, Google Zopfli and more, it bundles a bunch of great tools in a comprehensive, Open Source package. Available as a Mac OS app, command line interface and Sketch plugin, ImageOptim can be easily implemented into an existing workflow. For those on Linux or Windows, most of the CLIs ImageOptim relies on can be used on your platform.

If you’re inclined to try emerging encoders, earlier this year, Google released Guetzli — an Open Source algorithm stemming from their learnings with WebP and Zopfli. Guetzli is supposed to produce up to 35% smaller JPEGs than any other available method of compression. The only downside: slow processing times (a minute of CPU per megapixel).

When choosing tools make sure they produce desired results and fit into teams’ workflow. Ideally, automate the process of optimisation, so no imagery slips through the cracks unoptimised.

Responsible and responsive imagery

A decade ago we might have gotten away with one resolution to serve all, but the landscape of ever-changing, responsive web is very different today. That’s why we have to take extra care in implementing visual resources we’ve so carefully optimised and ensuring they cater for the variety of viewports and devices. Fortunately, thanks to Responsive Images Community Group we’re perfectly equipped to do so with picture element and srcset attribute (both have 85%+ support).

The srcset attribute

Srcset works best in the resolution switching scenario—when we want to display imagery based on users’ screen density and size. Based on a set of predefined rules in srcset and sizes attributes the browser will pick the best image to serve accordingly to the viewport. This technique can bring great bandwidth and request savings, especially for the mobile audience.

An example of srcset usage

The picture element

Picture element and the media attribute are designed to make art direction easy. By providing different sources for varying conditions (tested via media-queries), we’re able always able to keep the most important elements of imagery in the spotlight, no matter the resolution.

An example of picture element usage

📚 Make sure to read Jason Grigsby’s Responsive Images 101 guide for a thorough explanation of both approaches.

Delivery with image CDNs

The last step of our journey to performant visuals is delivery. All assets can benefit from using a content delivery network, but there are specific tools targeting imagery, such as Cloudinary or imgx. The benefit of using those services goes further than reducing traffic on your servers and significantly decreasing response latency.

CDNs can take out a lot of complexity from serving responsive, optimised assets on image-heavy sites. The offerings differ (and so does the pricing) but most handle resizing, cropping and determining which format is best to serve to your customers based on devices and browsers. Even more than that — they compress, detect pixel density, watermark, recognise faces and allow post-processing. With these powerful features and ability to append parameters to URLs serving user-centric imagery becomes a breeze.

📝 Image performance checklist

  1. Choose the right format
  2. Use vector wherever possible
  3. Reduce the quality if change is unnoticeable
  4. Experiment with new formats
  5. Optimise with tools and algorithms
  6. Learn about srcset and picture
  7. Use an image CDN

Optimising web fonts

The ability to use custom fonts is an incredibly powerful design tool. But with power comes a lot of responsibility. With whooping 68% of websites leveraging web fonts this type of asset is one of the biggest performance offenders (easily averaging 100KB, depending on the number of variants and typefaces).

Even when weight isn’t the most major issue, Flash of Invisible Text (FOIT) is. FOIT occurs when web fonts are still loading or failed to be fetched, which results in an empty page and thus, inaccessible content. It might be worth it to carefully examine whether we need web fonts in the first place. If so, there are a few strategies to help us mitigate the negative effect on performance.

Choosing the right format

There are four web font formats: EOT, TTF, WOFF and more recent WOFF2. TTF and WOFF are most widely adopted, boasting over 90% browser support. Depending on the support you’re targeting it’s most likely safe to serve WOFF2 and fall back to WOFF for older browsers. The advantage of using WOFF2 is a set of custom preprocessing and compression algorithms (like Brotli) resulting in approx. 30% file-size reduction and improved parsing capabilities.

When defining the sources of web fonts in @font-face use the format() hint to specify which format should be utilised.

If you’re using Google Fonts or Typekit to serve your fonts, both of these tools have implemented a few strategies to mitigate their performance footprint. Typekit now serves all kits asynchronously, preventing FOIT as well as allows for extended cache period of 10 days for their JavaScript kit code (instead of default 10 minutes). Google Fonts automatically serves the smallest file, based on the capabilities of the users’ device.

Audit font selection

No matter whether self-hosting or not, the number of typefaces, font weights and styles will significantly affect your performance budgets.

Ideally, we can get away with one typeface featuring normal and bold stylistic variants. If you’re not sure how to make font selection choices refer to Lara Hogan’s Weighing Aesthetics and Performance.

Use Unicode-range subsetting

Unicode-range subsetting allows splitting large fonts into smaller sets. It’s a relatively advanced strategy but might bring significant savings especially when targeting Asian languages (did you know Chinese fonts average at 20,000 glyphs?). The first step is to limit the font to the necessary language set, such as Latin, Greek or Cyrillic. If a web font is required only for logotype usage, it’s worth it to use Unicode-range descriptor to pick specific characters.

The Filament Group released an Open Source command-line utility, glyph hanger that can generate a list of necessary glyphs based on files or URLs. Alternatively, the web-based Font Squirrel Web Font Generator offers advanced subsetting and optimisation options. If using Google Fonts or Typekit choosing a language subset is built into the typeface picker interface, making basic subsetting easier.

Establish a font loading strategy

Fonts are render-blocking — because the browser has to build both the DOM and CSSOM first; web fonts won’t be downloaded before they’re used in a CSS selector that matches an existing node. This behaviour significantly delays text rendering, often causing the Flash of Invisible Text (FOIT) mentioned before. FOIT is even more pronounced on slower networks and mobile devices.

Implementing a font loading strategy prevents users from not being able to access your content. Often, opting for Flash of Unstyled Text (FOUT) is the easiest and most effective solution.

font-display is a new CSS property providing a non-JavaScript reliant solution. Unfortunately, it has partial support (Chrome and Opera only) and is currently under development in Firefox and WebKit. Still, it can and should be used in combination with other font loading mechanisms.

font-display property in action

Luckily, Typekit’s Web Font Loader and Bram Stein’s Font Face Observer can help manage font loading behaviour. Additionally, Zach Leatherman, an expert on web font performance, published A Comprehensive Guide to Font Loading Strategies which will aid in choosing the right approach for your project.

📝 Web font performance checklist

  1. Chose the right format
  2. Audit the font selection
  3. Use Unicode-range subsetting
  4. Establish a font loading strategy

Optimising JavaScript

At the moment, the average size of JavaScript bundle is 446 KB, which already makes it second biggest type of an asset size-wise (following images).

What we might not realise is that there’s a much more sinister performance bottleneck hidden behind our beloved JavaScript.

Monitor how much JavaScript is delivered

Optimising delivery is only one step in combating web page bloat. After JavaScript is downloaded, it has to be parsed, compiled and run by the browser. A quick look at a few popular sites and it becomes obvious that gzipped JS becomes at least three times bigger after unpacking. Effectively, we are sending giant blobs of code down the wire.

Parse times for 1MB of JavaScript on different devices. Image courtesy of Addy Osmani and his JavaScript Start-up Performance article.

Analysing parse and compile times becomes crucial to understanding when apps are ready to be interacted with. These timings vary significantly based the hardware capabilities of users’ device. Parse and compile can easily be 2–5x times higher on lower end mobiles. Addy’s research confirms that on an average phone an app will take 16 seconds to reach an interactive state, compared to 8 seconds on a desktop. It’s crucial to analyse these metrics, and fortunately, we can do so through Chrome DevTools.

Investigating parse and compile in Chrome Dev Tools

📚 Make sure to read Addy Osmani’s detailed write-up on JavaScript Start-up Performance.

Get rid of unnecessary dependencies

The way modern package managers work can easily obscure the number and the size of dependencies. webpack-bundle-analyzer and Bundle Buddy are great, visual tools helping identify code duplication, biggest performance offenders and outdated, unnecessary dependencies.

Webpack bundle analyzer in action.

We can make imported package cost even more visible with Import Cost extension in VS Code and Atom.

Import Code VS Code extension.

Implement code splitting

Whenever possible, we should only serve the necessary assets to create the desired user experience. Sending a full bundle.js file to the user, including code handling interactions they might never see is less than optimal (imagine downloading JavaScript handling an entire app when visiting a landing page). Similarly, we shouldn’t be universally serving code targeting specific browsers or user agents.

Webpack, one of the most popular module bundlers, comes with code splitting support. Most straightforward code splitting can be implemented per page (home.js for a landing page, contact.js for a contact page, etc.), but Webpack offers few advanced strategies like dynamic imports or lazy loading that might be worth looking into as well.

Consider framework alternatives

JavaScript front-end frameworks are constantly on the rise. According to the State of JavaScript 2016 survey React is the most popular option. Carefully auditing architecture choices though might show that you’d be better off with a much more lightweight alternative such as Preact (note that Preact isn’t trying to be a full React reimplementation, just a highly performant, less featured virtual DOM library). Similarly, we can swap bigger libraries for smaller altrnatives — moment.js for date-fns (or in particular case of moment.js remove unused locales).

Before starting a new project, it’s worthwhile to determine what kind of features are necessary and pick the most performant framework for your needs and goals. Sometimes that might mean opting for writing more vanilla JavaScript instead.

📝 JavaScript performance checklist

  1. Monitor how much JavaScript is delivered
  2. Get rid of unnecessary dependencies
  3. Implement code splitting
  4. Consider framework alternatives

Tracking performance and the road forward

We’ve talked about several strategies that in most cases will yield positive changes to the user experience of products we’re building. Performance can be a tricky beast though, and it’s necessary to track the long-term results of our tweaks.

User-centric performance metrics

Great performance metrics aim to be as close to portraying user experience as possible. Long established onLoad, onContentLoaded or SpeedIndex tell us very little about how soon sites can be interacted with. When focusing only on the delivery of assets, it’s not easy to quantify perceived performance. Fortunately, there are a few timings that paint quite a comprehensive picture of how soon content is both visible and interactive.

Those metrics are First Paint, First Meaningful Paint, Visually Complete and Time to Interactive.

  • First Paint: the browser changed from a white screen to the first visual change.
  • First Meaningful Paint: text, images and major items are viewable.
  • Visually Complete: all content in the viewport is visible.
  • Time to Interactive: all content in the viewport is visible and ready to interact with (no major main thread JavaScript activity).

These timings directly correspond to what the users see therefore make excellent candidates for tracking. If possible, record all, otherwise pick one or two to have a better understanding of perceived performance. It’s worth keeping an eye on other metrics as well, especially the number of bytes (optimised and unpacked) we’re sending.

Setting performance budgets

All of these figures might quickly become confusing and cumbersome to understand. Without actionable goals and targets, it’s easy to lose track of what we’re trying to achieve. A good few years ago Tim Kadlec wrote about the concept of performance budgets.

Unfortunately, there’s no magical formula for setting them. Often performance budgets boil down to competitive analysis and product goals, which are unique to each business.

When setting budgets, it’s important to aim for a noticeable difference, which usually equals to at least 20% improvement. Experiment and iterate on your budgets, leveraging Lara Hogan’s Approach New Designs with a Performance Budget as a reference.

🛠 Try out Performance Budget Calculator or Browser Calories Chrome extension to aid in creating budgets.

Continuous monitoring

Monitoring performance shouldn’t be manual. There are quite a few powerful tools offering comprehensive reporting.

Google Lighthouse is an Open Source project auditing performance, accessibility, progressive web apps, and more. It’s possible to use Lighthouse in the command line or as just recently, directly in Chrome Developer Tools.

Lighthouse performing a performance audit.

For continuous tracking opt-in for Calibre that offers performance budgets, device emulation, distributed monitoring and many other features that are impossible to get without carefully building your own performance suite.

Comprehensive performance tracking in Calibre.

Wherever you’re tracking, make sure to make the data transparent and accessible to the entire team, or in smaller organisations, the whole business.

Performance is a shared responsibility, which spans further than developer teams — we’re all accountable for the user experience we’re creating, no matter role or title.

It’s incredibly important to advocate for speed and establish collaboration processes to catch possible bottlenecks as early as product decisions or design phases.

Building performance awareness and empathy

Caring about performance isn’t only a business goal (but if you need to sell it through sales statistics do so with PWA Stats). It’s about fundamental empathy and putting the best interest of the users first.

As technologists, it’s our responsibility not to hijack attention and time people could be happily spending elsewhere. Our objective is to build tools that are conscious of time and human focus.

Advocating for performance awareness should be everyone’s goal. Let’s build a better, more mindful future for all of us with performance and empathy in mind.

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Ruby on Rails Books for experienced developers

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This time we’ll jump to the next level by focusing on advanced RoR resources, perfect for those who have vast experience under their belt and feel comfortable in Ruby on Rails environment: Ruby on Rails Books for experienced developers
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How I cut my Webpack bundle size in half

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Hamburg, Germany
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Localizing Slack

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